Member Dues To Increase for the 2018–2019 Season

This summer, the St. George's Choral Society Board met and had a very productive meeting, covering everything from member engagement to fundraising to operations. St. George's Choral Society has made every effort to keep member costs low. In surveying other choirs throughout the greater New York Metropolitan area, it became evident that we were below market with membership dues and ticket prices—two key components in meeting our annual budget. 

The board decided to raise member dues to market value. Beginning this season, dues will be $225 per year plus the cost of mandatory score purchase, $70 for this season. The board decided not to raise the member ticket costs; they will remain at $25 each, with the requirement of four tickets per concert. This will enable the choir to better meet its goals for this and upcoming years. As always, members are not turned away during times of financial hardship. Please speak to Matthew Lewis directly about this.

2018–2019 Season Announcement

We are pleased to announce our repertoire for the 2018–2019 season. Sing with us! We welcome new members of all vocal parts.

Fall Concert with Orchestra
Sunday, November 18

Bach: Der Geist hilft unsrer Schwachheit auf, BWV 226
Haydn: Missa Cellensis, "Cecilia Mass," Hob XXII:5

The motets of J. S. Bach are brilliant works, posing challenges and rewards to choral singers. They are filled with technical demands (fast passages, sustained singing, German diction, rhythmic precision, to name a few). Scored for double chorus, Der Geist hilft unsrer Schwachheit auf (The Spirit gives aid to our weakness) is in three sections: an opening Allegro for double chorus, a contrapuntal section for four parts, and a closing chorale, all sung in German. Haydn's Missa Cellensis in Honor of the Blessed Virgin Mary is rarely done. With so many wonderful masses by Haydn, it is still surprising that this one is often overlooked. Exciting, dramatic choral movements, together with some of the most amazing solo movements of any mass setting, make this piece a spectacular concert item. The orchestra writing is particularly tricky—Haydn is never predictable! Singers will enjoy the opportunity to focus their technique with these two masterworks, and audiences, unaware of the technical demands, will enjoy a delightful concert.

Spring Concert with Organ
Sunday, May 5

Milhaud: Sacred Service

French composer Darius Milhaud (1892-1974) was a member of Les Six, a group of French composers that included Poulenc and Honegger. He composed the Service Sacré pour le Samedi matin in 1948. It is one of two such settings for the Jewish liturgy commissioned by Congregation Emanu-El Synagogue in San Francisco, along with that of Ernest Bloch. This colorful, varied, and poignant work is a masterpiece of the 20th century sacred repertoire. Sung in Hebrew with narrations in English, it is scored for baritone soloist, narrator, choir and organ. This program will appeal to a broad variety of singers and will be a unique offering on the NYC choral concert scene.

Summer Choral Festival with Orchestra
Saturday, June 15
Rehearsals begin June 4

Durante: Magnificat
Handel: Laudate pueri, HWV 237

Until recently, Pergolesi was thought to be the composer of this Magnificat, but recent scholarship credits Francesco Durante. The music remains the same—a delightful setting of the Virgin Mary's song of praise, for string orchestra, chorus and soloists. Handel's Laudate pueri is a brilliant work for strings, oboes, chorus and soprano soloist. While the Durante is a well-known piece, the Handel is a unique opportunity for choral singers. Both pieces will be sung in Latin. A sunny program for summer!